Second Stage is giving us Paula Vogel’s Pulitzer Prize-winning drama, How I Learned to Drive (first seen Off-Broadway in 1997). continue reading »
Christine Ebersole takes no prisoners in her delicious new show at the Café Carlyle, The End of the World as We Know It Cabaret. continue reading »
If you only know Cynthia Nixon from her terrific work on Sex and the City, it’s time to discover why she’s a Broadway veteran and Tony winner by seeing her funny, luminous and heartbreaking performance in Margaret Edson’s Pulitzer Prize-winning play, Wit. continue reading »
Since full, operatic productions of Porgy and Bess materialize relatively infrequently, it’s tempting to recommend to newbies the current Broadway incarnation, now retitled The Gershwins’ Porgy and Bess, but that would be a mistake. continue reading »
It’s hard to imagine a more dreadful piece of theater than Him. continue reading »
When I first heard that director Michael Mayer and writer Peter Parnell, both of whom are gay, were tinkering with On a Clear Day You Can See Forever by making the show’s lead a gay man, I thought they might be on to something. continue reading »