The Nexus
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Curtain Up
byDavid Hurst, photo: Michael J. Lutch|02/03/2012Audra McDonald and Norm Lewis in The Gershwins’ Porgy and BessSince full, operatic productions of Porgy and Bess materialize relatively infrequently, it’s tempting to recommend to newbies the current Broadway incarnation, now retitled The Gershwins’ Porgy and Bess, but that would be a mistake. continue reading »
byDavid Hurst, photo: Chris Callis|01/27/2012Darren Criss
byDan Heching, photo: Carol Rosegg|01/20/2012Matthew Dellapina and Nelson Lee in Outside PeopleIt’s hard to imagine a more dreadful piece of theater than Him. continue reading »
byDavid Hurst: photo: Joan Marcus|01/13/2012Patti Murin and Josh Segarra in Lysistrata JonesWhen I first heard that director Michael Mayer and writer Peter Parnell, both of whom are gay, were tinkering with On a Clear Day You Can See Forever by making the show’s lead a gay man, I thought they might be on to something. continue reading »
byDavid Hurst, Maple and Vine photo: Joan Marcus|01/06/2012Peter Kim and Pedro Pascal in Maple and Vine; (inset) Mehki Phifer and Tracie Thoms in Stick FlyClassic Stage Co’s current revival of Chekhov’s The Cherry Orchard is miscast, badly directed and frequently jaw dropping. continue reading »
byDavid Hurst: photo: Joan Marcus|12/23/2011Steve Kazee and Cristin Milioti in OnceDo Bonnie Parker and Clyde Barrow really have to sing? continue reading »
byDavid Hurst, photo: Cylla Von Tiedemann|12/09/2011Paul Gross & Kim Cattrall in Private LivesOut Broadway hunk Cheyenne Jackson stepped up his career last month with a spectacular concert at Carnegie Hall with The New York Pops. continue reading »
byDavid Hurst, photo: Joan Marcus|12/02/2011Mark Consuelos and Craig Bierko (center) in Standing on Ceremony: The Gay Marriage PlaysThe Blue Flower, the head-scratching multimedia musical about Dada artists and World War I by husband-and-wife team Jim and Ruth Bauer, is proof that tenacity and patronage can result in a high-profile production for even the messiest piece of writing. continue reading »
byby David Hurst, photo: Joan Marcus|11/25/2011Venus in FurDavid Henry Hwang’s Chinglish, a charming play about cultural differences that arise when an American businessman in China must rely on translators to communicate, has been given an opulent production in its transfer to Broadway from the Goodman Theater in Chicago where it debuted this spring. continue reading »
byDavid Hurst, photo: Joan Marcus|11/18/2011Sons of the ProphetFirst seen this past spring at the Huntington in Boston, out playwright Stephen Karam’s latest work, Sons of the Prophet, has already been hailed as one of the best plays of the new theater season—and deservedly so. continue reading »
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